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Th, 9/21, 10/12, 11/2 & 12/7— El Taller Latino Americano — 215 E99 St — El Barrio — Manne-hata— 7pm
outcomes of exploration remain open
HOW can the multidimensional
dynamics of polyrhythm
shape & coordinate
HOW can song language more deeply incorporate drum language?
What kind of compositional interfaces could allow musicians to enter & exit at will?
HOW could an ensemble be modularly organized so that no single player has to be there every time?
WHAT kind of interface could be
& work with
yet still yield
WHAT are some other ways to synthesize
musicians’ independent narratives with
a well coordinated composite sound?
HOW could instrumental tone color — timbre — become more central to ensemble improvisation?
HOW many different ways can the flow of musical information be channeled & redirected during performance?
HOW could a music be organized so that it could travel fairly easily from
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